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BEGIN:VEVENT
DTSTART;TZID=UTC:20251018T203000
DTEND;TZID=UTC:20251018T233000
DTSTAMP:20260526T151411
CREATED:20250804T125506Z
LAST-MODIFIED:20250804T130056Z
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SUMMARY:Acousmo: Marina mello\, Khabat Abbas
DESCRIPTION:Doors: 20:30\nConcerts: 21:30 \nAddress: Allmendstrasse 93\, 8041 Zürich \, Halle D\, First Floor \nAcousmo is a concert and sound art series focused on intentional listening. It offers a space for concentrated engagement with live sound and aims to counter the fast and superficial consumption of music. In this cycle\, Acousmo introduces a new format: each evening begins with two solo performances by musicians or sound artists that are curated by the community. These are followed by an improvised set where both artists perform together. \n  \n Photo by Philip Frowein\nMarina mello (ZH) \nMarina Mello is a Brazilian harpist based in Zurich with a wide range of experience as a musician. She has developed a unique and very expressive style through the harp and its infinite possibilities. In this sense\, she presents her artistic journey\, mainly researching new sound textures through paradoxes between emptiness and noisy textures\, and harmonic and random-spontaneous vertical sounds. Focusing on non-traditional ways of playing – with extended technique\, prepared instrument and with effect pedals (hybrid\, acoustic and electric harps)\, Marina believes that as a woman and a harpist there are many stereotypes and expectations that can and should be disrupted. In 2022\, she graduated with honors with a Master’s degree at ZHdK (Zurich University of arts) under the guidance of Professor Sarah O’Brien (classical harp)\, Lucas Niggli (improvisation practices)\, Ariana Savall (renascence music) and Charlotte Hug (transdisciplinary practices). \n  \n  \n Photo by Joe Christman\n  \nKhabat Abbas(LDN) \nKhabat Abas is a cellist\, composer\, and interdisciplinary artist from Kurdistan-Iraq. Her work investigates time\, space\, and memory through music\, and noise. She is particularly interested in how we experience sound within different geopolitical contexts. Abas pushes the boundaries of her instrument—improvising\, composing\, producing videos and sound installations\, building cellos from unconventional materials\, and incorporating the body as an instrument. Through this practice\, she fuses politics with the personal\, challenging dominant values and systems of control.
URL:https://www.migrart.ch/event/acousmo-marina-mello-khabat-abbas/
LOCATION:MigrArt Space\, Allmendstrasse 93\, Zurich\, 8041\, Switzerland
ORGANIZER;CN="MigrArt":MAILTO:info@migrart.ch
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260110T203000
DTEND;TZID=UTC:20260110T235900
DTSTAMP:20260526T151411
CREATED:20260109T102858Z
LAST-MODIFIED:20260109T102858Z
UID:4923-1768077000-1768089540@www.migrart.ch
SUMMARY:Acousmo : chaos clay(LIVE) + Anouchka Gwen(LIVE)
DESCRIPTION:  \n \nchaos clay is a DJ\, producer\, and curator based in Geneva. They explore the cultural productions of queer and racialized people\, blending theoretical\, ancestral\, and popular knowledge to weave new narratives. Through music\, they work with space and time from an Afro-futurist perspective. Between memory and future\, their sets are hybrid compositions\, designed for multiple and fluid bodies. \nThey founded the Archipelagogo Club events\, held in Theatre de l’Usine\, promoting the richness\, complexity and political legacy of club culture. Then worked in the music programming team at FDS (2022-23) and recently they founded and co-curated at Kauri (Usine) . \nAs a producer\, they collaborated with dancers such as Calixto Neto (Il Faux)\, \nJohanna Closuit (Apetite For The Depths)\, Catol Teixeira (Arrebentaçâo)… \ncredit photo Pauline Humbert \nhttps://soundcloud.com/chaosclay\n \n  \n \n  \nAnouchka Gwen (*1997) is a swiss born and raised singer-songwriter\, bass player and cultural worker currently based in Zurich\, Switzerland. \nThe vulnerability\, complexities and emotions that life brings are their main inspirations. With their dreamy and bassy voice\, they aim to voice their deepest and most honest thoughts and unapologetically take space. As an artist with congolese roots\, they’re influenced and inspired by repetitive\, soulful and rhythmic melodies and mixes it with their love for electronic psychedelic wide pop infused soundscapes. \nAfter a needed break from the stage as a front person\, Anouchka Gwen decides to go back to their beginning ways\, solo on stage\, offering their deepest thoughts in a vulnerable way with their voice and e-bass only. Join Anouchka Gwen on this new artistic journey. \n 
URL:https://www.migrart.ch/event/acousmo-chaos-claylive-anouchka-gwenlive/
LOCATION:MigrArt Space\, Allmendstrasse 93\, Zurich\, 8041\, Switzerland
ORGANIZER;CN="MigrArt":MAILTO:info@migrart.ch
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260221T203000
DTEND;TZID=UTC:20260221T233000
DTSTAMP:20260526T151411
CREATED:20260209T130120Z
LAST-MODIFIED:20260217T155824Z
UID:4931-1771705800-1771716600@www.migrart.ch
SUMMARY:Acousmo: Zainab J Lascandri // Nuriia Khasenova   (Cancelled : Miles Singleton)
DESCRIPTION:  \n \n  \nConcerts : \nZainab J Lascandri  is a Black\, trans- and interdisciplinary artist who flows between the realms of pop culture and elite art. Her work navigates theater\, music\, film\, and performance\, dissolving boundaries to create new meanings. “Imagine A Black Child” is a powerful performance that merges sound archives\, self-produced music and dance into a contemporary ritual. \n \nNuriia Khasenova was born in Kazakhstan\, grew up in Russia\, and based in Switzerland since 2012. Her work is driven by curiosity and a desire to explore what the unknown to her – new formats\, new collaborations. She received classical training in Geneva and Zurich\, while at the same time searching beyond traditional paths. Over the years\, her practice has expanded into contemporary music\, musical theatre\, free improvisation\, folk music\, and movement. She brunches hew practice between classical and transdisciplinary projects\, aiming to create sincere performances. \n \n\n  \nWelcome!
URL:https://www.migrart.ch/event/acousmo-zainab-j-lascandri-miles-singleton/
LOCATION:Zürich
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BEGIN:VEVENT
DTSTART;TZID=UTC:20260307T203000
DTEND;TZID=UTC:20260307T233000
DTSTAMP:20260526T151411
CREATED:20260223T123625Z
LAST-MODIFIED:20260303T094032Z
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SUMMARY:Acousmo:  SUGAI KEN // Flora Yin-Wong
DESCRIPTION:  \nSUGAI KEN\nA producer who gimmickily electrifies various domestic folklore around a unique style reminiscent of the Japanese night. He also specializes in reproducing insect and bird sounds using only electronic sounds.\nHis 2017 work “UkabazUmorezU” received international acclaim (Pitchfork\, etc.).\nHis work on one of Japan’s best labels\, EM Records\, “Garden in the Night (An Electronic Re-creation)\,” has brought him recognition from core listeners around the world\, and a track from the album was featured on Fabriclive (UK).\nHis music is played frequently on web radio around the world\, including Disclosure’s Boiler Room DJ set in 2020\, and he also provided a curious DJ mix for the Solid Steel (Ninjatune) series that wowed Rob BOOTH.\nIn the 2018 EU tour\, he performed at Cafe OTO (UK)\, which was sold out\, showing the high level of attention he received\, and he performed 13 shows (in 6 countries)\, demonstrating his uniqueness without compromise. The following year\, he toured the EU\, starting in Berghain\, and performed 9 shows in 7 countries\, including a 2-man show with Tim HECKER.\nHe currently has several releases in the pipeline due to numerous domestic and international requests.\nIn addition to his personal activities\, he is also involved in several local performing arts archive projects in Japan\, and is also involved in sound design for Soka Health Center (a typical Japanese sauna) and POLA (a major Japanese cosmetics manufacturer) and so on.\nHis striking artist photograph is those in which he has aged himself following the “Yatsushi” aesthetic\, which he considers an essential element of Japanese deep culture.\nHis work was exhibited at the Expo2025 Osaka.\nHe is currently working on a collaboration with Jan Jelinek\, a meister of electronic music from Berlin… \nUrl:\nhttps://linktr.ee/SUGAIKEN \n  \n \n  \nFlora Yin-Wong \nFlora Yin-Wong is a sound artist from London who uses rudimentary field recordings\, granular synthesis\, and traditional instruments\, underpinned by influences from club culture. Through these disparate elements\, her work channels her interest in philosophical and psychological themes such as faith\, obsession\, and ritual. Her first two albums ‘Holy Palm’ and ‘Cold Reading’ were released on Modern Love\, and she has appeared on labels PAN\, Tectonic\, Paralaxe Editions\, Nyege Nyege\, and Shelter Press / GRM Paris. She has been commissioned by and presented live at international galleries like Palais de Tokyo\, MACRO Roma\, Fondation Beyeler Basel\, Triennale Milano\, Somerset House\, The V&A Museum and Cafe OTO London\, ISSUE Project Room New York\, Volksbuhne Theatre Berlin\, and Spielhaus and SHEDHAlle Zurich. Her debut book ‘Liturgy’ – an experimental novel interweaving fiction\, non-fiction and everything in between – was released in 2020 by Primary Information NYC. She has since published writing with Ignota Books and Zweikommasieben’s V/A series\, and was previously digital editor at DAZED Media. In 2023 she launched a label and publishing house\, Doyenne\, releasing works from the likes of Alex Zhang Hungtai\, Claire Rousay\, YL Hooi\, Teresa Winter\, writers Heather McCalden\, Mira Mattar\, and Lisa Lerkenfeldt and more. \n \n 
URL:https://www.migrart.ch/event/acousmo-sugai-ken-flora-yin-wong/
LOCATION:Zürich
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BEGIN:VEVENT
DTSTART;TZID=UTC:20260321T083000
DTEND;TZID=UTC:20260321T233000
DTSTAMP:20260526T151411
CREATED:20260311T133548Z
LAST-MODIFIED:20260317T184348Z
UID:5030-1774081800-1774135800@www.migrart.ch
SUMMARY:Acousmo: Nongoma Ndlovu // Peyman Salehyan // Seçile Metin // Soungou sisters // MigrArt DJs
DESCRIPTION:Nongoma Ndlovu \nNongoma Ndlovu aka ”Nongoma” is a keyboard player\, vocalist\, songwriter\,Sound Designer\,Sound Engineer\,Djane and producer who was born in Hamburg Germany\, to South African Zimbawean musicians Themba and Bajabulile Ndlovu\, founders of the band Children of Nandi. Being raised in a musical family based abroad and travelling throughout Europe set the foundations for an early career in music that has spanned over a decade. After having moved back to South Africa in 2006\, Nongoma completed here studies at the National School of the Arts and furthered her passion for music through a qualification in sound engineering at School of Audio Engineering (SAE). During her stay in Cape Town (2010 -2012) she featured on various artist projects with Nothende\, Spoek Mathambo\, The Rudimentals\, playing various Festivals such as Rocking The Daises\, Castle light Festival performing alongside Nas\, Wiz Khalifa and Timbaland (2014) and Synergy Festival. A move back to Joburg in 2013 saw the creation of another family related project called KAJAMA \, with her younger sister Nandi Ndlovu. Their debut EP Polarity Prism was reviewed on Okay Africa and Afro Punk online platforms and saw Kajama playing festivals such as Oppikoppi\, the FakuGesi Block Party (British Council)\, the Design Indaba as well as A piece in Art Festival in Basel Switzerland in association with the Goodman Gallery. Nongoma relocated back to Switzerland ans has ben currently working various projects including a Debut Performance that will take lace at Afropfingsten Festival .She is currently preparing to release her second EP title ”Mount Selph Esteem” \, after her debut In the Mirror which rotated on nationial stations.She has starting venturing more into the Djaying Space\,Sound Design \,Theatre Production\,Event Curation and Sound Engineering . \n  \n \n  \nPeyman Salehyan \nPeyman Salehyan is a Kurdish musician\, composer\, and cultural educator currently based in Berlin\, Germany. With more than fifteen years of artistic and pedagogical experience\, his work bridges Mesopotamian musical traditions\, Kurdish heritage\, and contemporary composition. He is particularly known for his performances on the Tar and Setar\, as well as for interdisciplinary projects that connect music with cultural dialogue and community engagement. \nSalehyan studied Music Performance at the University of Art in Tehran and is currently a guest student in Composition at the Berlin University of the Arts (UdK). As a performer\, he has appeared as a soloist and chamber musician at international festivals and cultural venues in Germany\, Turkey\, Russia\, Iran\, and beyond. His performances explore both traditional repertoire and contemporary interpretations of Kurdish music. \nIn addition to performing\, he is an active composer whose works have been commissioned by ensembles\, choirs\, and media productions. His compositions and scores have been published internationally\, including by Petrichor Records and the UCLA Contemporary Music Score Collection. \nSalehyan has also worked extensively as a music educator and cultural facilitator\, designing and leading intercultural music programs for children\, youth\, and community groups. Through his artistic practice\, he aims to create spaces for cultural exchange\, dialogue\, and creative collaboration. \n  \n \n  \nSeçil Metin \nSeçil Metin is a vocalist\, improviser\, composer\, and sound designer. In this performance\, she presents Mono No Aware\, a live improvisation project where her sound design sketches\, trumpet\, voice\, and electronics shape the music as it happens\, moving between quiet\, subtle\, intimate moments and sudden bursts of energy and raw feeling. \nShe is exploring what’s possible in the depth of “less\,”… this time embracing the vulnerability of being alone on stage\, while mindless and heartful improvisation guides the experience. She hopes the performance to create a shared space held with presence\, curiosity\, deep listening\, and simply the warmth of being together. \n \n  \nSoungou sisters \n \nMigrArt Djs : \nDj QR Code\, M.K.MOON\, Sirena and Sianur \n \n  \n  \n  \nWelcome!
URL:https://www.migrart.ch/event/acousmo-nongoma-peyman-salehyan-secile-metin/
LOCATION:Zürich
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260706T200000
DTEND;TZID=UTC:20260706T220000
DTSTAMP:20260526T151411
CREATED:20260522T195038Z
LAST-MODIFIED:20260526T150424Z
UID:5332-1783368000-1783375200@www.migrart.ch
SUMMARY:FESTIVAL OPENING : Opening Ritual /  Concert / Performances
DESCRIPTION:The opening exhibition of Antenna brings together artistic works\, process materials\, sound\, film and documentation emerging from the collective Antenna network. Expanding across installation\, archive\, performance and gathering space\, the exhibition traces the connections between migration\, memory\, resistance and cultural production through perspectives shaped by BIPoC\, diasporic and exiled communities. Rather than presenting a fixed narrative\, the exhibition unfolds as a living process — a space for encounter\, listening and collective reflection that continues to grow throughout the festival week. \n\n\n\n \n\n\n\nDie Eröffnungsausstellung von Antenna versammelt künstlerische Arbeiten\, Prozessmaterialien\, Klang\, Film und Dokumentationen\, die aus dem kollektiven Antenna-Netzwerk hervorgegangen sind. Zwischen Installation\, Archiv\, Performance und Begegnungsraum entfaltet die Ausstellung Verbindungen zwischen Migration\, Erinnerung\, Widerstand und kultureller Produktion aus Perspektiven von BIPoC-\, diasporischen und exilierten Communities. Anstatt eine feste Erzählung vorzugeben\, versteht sich die Ausstellung als lebendiger Prozess – als Raum für Begegnung\, Zuhören und kollektive Reflexion\, der sich während der Festivalwoche kontinuierlich weiterentwickelt.
URL:https://www.migrart.ch/event/festival-opening/
LOCATION:Zürich
ATTACH;FMTTYPE=image/webp:https://www.migrart.ch/wp-content/uploads/2026/05/1.webp
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BEGIN:VEVENT
DTSTART;TZID=UTC:20260707T180000
DTEND;TZID=UTC:20260707T193000
DTSTAMP:20260526T151411
CREATED:20260522T204652Z
LAST-MODIFIED:20260522T205201Z
UID:5356-1783447200-1783452600@www.migrart.ch
SUMMARY:Why “Intergenerational Discussion”
DESCRIPTION:OPEN DISCUSSION WITH PAULA CHARLES \n\n\n\nIn today’s digital\, fast-moving and demanding world the younger generation needs also othervoices\, needs a mixture of wise experiences and life wisdom. My own early years living with eldershelped me with who I am today. In my culture in the Caribbean in those days\, older generationswere needed\, accepted and respected. Their advice was appreciated. It was simple\, but also madeyou feel you were being heard and your views matter. One felt good being with them\, their wisdomsank deep into the soul. I still remember to this very day in difficult adult moments some of thatadvice. They were in almost every part of my life.In todays world there is a lot of talk with very little content that could move you a little closer toyourself and the meaning of life as you grow in a world that demands your time with highexpectations. You hear from young people saying life is too hectic\, too draining\, too strenuous\,weariness\, depression and burnout is frequent.In Europe\, older generations don’t seem to have much say in the younger generation lives especiallythose who aren’t family. Individuality is high on the agenda here. Coming together as a community \n\n\n\nto share thoughts and hear elders speak from experience isn’t a common theme here. With busy on-line lives\, little time is spent visiting family and friends\, sharing experiences directly. This world we \n\n\n\nare living in has little tolerance for peoples stories and doubts and misgivings.As an Elder\, Activist and Author its my aim and wish to meet and share\, to encourage and supportyoung people. I have always been interested in young people lives\, what they do\, what they think ofthe older generation\, what ideas they would like to exchange. We can listen to each other withoutfear and prejudice. When I have had that opportunity it has worked well and the feedback hasalways been very positive and appreciative.
URL:https://www.migrart.ch/event/why-intergenerational-discussion/
LOCATION:Zürich
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260707T200000
DTEND;TZID=UTC:20260707T220000
DTSTAMP:20260526T151411
CREATED:20260522T190038Z
LAST-MODIFIED:20260526T141204Z
UID:5311-1783454400-1783461600@www.migrart.ch
SUMMARY:SHORTFILMS: PhotogrAFRICA / Everytime I caused a flame it left an ugly mark / No Apologies 
DESCRIPTION:Three short films tracing memory\, displacement\, revolt and survival through intimate cinematic gestures. From family archives and migration histories to bodily resistance\, the program brings together works that move between personal testimony and collective realities. Through photography\, performance and documentary language\, the films open spaces for reflection on visibility\, belonging and resilience across different geographies and political contexts.PhotogrAFRICATila Chitunda 25 Min.2016Brazil / SwitzerlandBrazilian Portuguese / Subtitles : English Durch ein Wandbild aus Fotografien rekonstruiert Tila Chitunda die Reise ihrer Familie\, die Ende der 1970er Jahre aufgrund eines Bürgerkriegs gezwungen war\, Angola zu verlassen und Zuflucht in Olinda zu suchen.Everytime I caused a flame it left an ugly mark Paria Ahmadi 10 Min.2023IranEnglish Text (no spoken language)Der Film dokumentiert eine Performance\, in der Paria Ahmadi Streichhölzer an ihrem eigenen Lächeln entzündet und dadurch eine fragmentierte Geschichte über Revolte\, Auslöschung und Sichtbarkeit erzählt.No Apologies Ebuka Anokwa / Aladin Dampha / Lionel Rupp50 Min.2019French / English Switzerland No Apologies zeigt die Lebensrealitäten Schwarzer Menschen in prekären Verhältnissen in Lausanne\, die von Alltag\, Überleben und Polizeigewalt berichten und ihren Platz in einer ausgrenzenden Gesellschaft hinterfragen.ENG : PhotogrAFRICATila Chitunda25 min.2016Brazil / SwitzerlandBrazilian Portuguese / Subtitles: EnglishThrough a wall of photographs\, Tila Chitunda reconstructs her family’s journey after they were forced to leave Angola in the late 1970s because of the civil war and seek refuge in Olinda.Everytime I caused a flame it left an ugly markParia Ahmadi10 min.2023IranEnglish text / no spoken languageThe film documents a performance in which Paria Ahmadi lights matches against her own smile\, creating a fragmented story about revolt\, erasure\, and visibility.No ApologiesEbuka Anokwa / Aladin Dampha / Lionel Rupp50 min.2019SwitzerlandFrench / EnglishNo Apologies portrays the realities of Black people living in precarious conditions in Lausanne. Through stories of everyday life\, survival\, and police violence\, the film questions what it means to claim one’s place in an exclusionary society.
URL:https://www.migrart.ch/event/shortfilms-in-kino-xenix/
LOCATION:Zürich
ATTACH;FMTTYPE=image/webp:https://www.migrart.ch/wp-content/uploads/2026/05/3-scaled.webp
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BEGIN:VEVENT
DTSTART;TZID=UTC:20260708T180000
DTEND;TZID=UTC:20260708T200000
DTSTAMP:20260526T151411
CREATED:20260526T123801Z
LAST-MODIFIED:20260526T132741Z
UID:5553-1783533600-1783540800@www.migrart.ch
SUMMARY:X collective X : Je ne vous l’apprends pas
DESCRIPTION:Je ne vous l’apprends pas is an experimental audio project that blends indigenous science fiction\, Afro-cosmic autofiction\, and binaural sound to question and undo Earth-bound systems of categorization. Under the artistic direction of Jamika Ajalon and inspired by her Anti-Lectures\, the project brings together the writers Saya Mamani\, Nayansaku Mufwankolo\, and Meloe Gennai. Their work examines how language creates borders between identities\, geographies\, bodies\, and ways of knowing\, and how those borders might be unsettled. \n\n\n\nThe podcast moves fluidly across French\, English\, Italian\, and other familiar languages. Sounds\, words\, cries\, songs\, and silences are layered to create a listening experience rooted in constant movement and transformation\, resisting fixed meaning and stable form. \n\n\n\nEach episode is composed by sound artist Legion Seven as a sensory performance in which audio shifts from dense\, terrestrial rhythms toward the extraterrestrial\, allowing the work to slip free from inherited social\, racial\, and linguistic hierarchies.The project fosters exchange across Switzerland’s different linguistic regions while centering intersecting lived experiences of trans and non-binary people\, racialized communities\, and neurodivergent and disabled individuals\, without separating these realities into isolated experiences. Sound becomes a shared space for experimentation and relation\, where alternative ways of being\, communicating\, and belonging can be articulated beyond dominant hierarchies.For the Antenna Festival\, xcollectivex proposes a shared listening session featuring selected excerpts from the podcast\, followed by a moderated discussion with the artists and producers. This conversation will address the motivations behind the work\, the collaborative process\, and the political stakes of the project. Alongside this\, a listening station will be installed for the duration of the festival\, enabling audiences to engage with the completepodcast in their own time.Je ne vous l’apprends pas explores movement\, displacement\, and the transformation of identities across borders by treating language\, sound\, and the body as migratory spaces that are continuously shifting\, refusing containment\, and opening pathways beyond national\, social\, and planetary boundaries.The French expression “je ne vous l’apprends pas” translates as “I’m not telling you anything you don’t already know.” The phrase carries an ironic\, knowing tone\, pointing to shared histories\, implicit knowledge\, and truths that circulate without needing to berestated.
URL:https://www.migrart.ch/event/x-collective-x-je-ne-vous-lapprends-pas/
LOCATION:BINZ39\, Sihlquai 133\,\, Zürich\, Zürich\, 8005\, Switzerland
ATTACH;FMTTYPE=image/webp:https://www.migrart.ch/wp-content/uploads/2026/05/7.webp
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BEGIN:VEVENT
DTSTART;TZID=UTC:20260709T180000
DTEND;TZID=UTC:20260709T200000
DTSTAMP:20260526T151411
CREATED:20260526T130724Z
LAST-MODIFIED:20260526T144504Z
UID:5557-1783620000-1783627200@www.migrart.ch
SUMMARY:Shortfilms: Padayon film from bahaghari/REMEMBER\, BROKEN CRAYONS COLOUR TOO / EVERYDAY BLACKNESS
DESCRIPTION:Three short films tracing memory\, displacement\, revolt and survival through intimate cinematic gestures. From family archives and migration histories to bodily resistance\, the program brings together works that move between personal testimony and collective realities. Through photography\, performance and documentary language\, the films open spaces for reflection on visibility\, belonging and resilience across different geographies and political contexts.EVERYDAY BLACKNESSAkwasi Glenn Asumadu\,30 Min.2024SwitzerlandEnglish Mit EVERYDAY BLACKNESS präsentiert das in Basel gegründete OKRA Collective seine erste audiovisuelle Produktion\, ein 30-minütiges Werk welches sich mit der Frage auseinandersetzt\, wie sich der Alltag aus einer afro-diasporischen Perspektive anhört und anfühlt.REMEMBER\, BROKEN CRAYONS COLOUR TOO Shannet Clemmings / Ursa Kastelic13 Min.2023Switzerland Subtitles : English / German Die Stimme der Protagonistin Shannet hallt durch die nächtliche Stadt; von Erinnerungen verfolgt\, findet sie in der Musik Halt und empfängt schliesslich lächelnd ihre Freund:innen an einem stillstehenden Karussell.Padayon film from bahaghariSavannah Garcia / Irish Inoceto30 Min. 2025Subtitle:  English / German A Journey of Hope ist ein Dokumentarfilm über philippinische Menschenrechtsaktivist:innen\, die fälschlicherweise als Terroristen angeprangert wurden und in Europa Asyl suchten\, wo sie sich trotz Verfolgung weiter für Gerechtigkeit und Menschenrechte einsetzen.
URL:https://www.migrart.ch/event/shortfilms-padayon-film-from-bahaghari-remember-broken-crayons-colour-too-everyday-blackness/
LOCATION:Kino Xenix\, Kanzleistrasse 52\, Zürich\, Zürich\, 8004
ATTACH;FMTTYPE=image/webp:https://www.migrart.ch/wp-content/uploads/2026/05/3-scaled.webp
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